CHAPTER 4: DEVELOPING A WORKFLOW USING COREDRAW SOFTWARE AND STUDIO METHOD TO PRODUCE UKARA BATIK WALL HANGING

Abstract

INTRODUCTION
Ukara cloth is a revered cultural heritage in Nigeria, particularly among the Igbo people. This traditional textile is renowned for its intricate designs, symbolic motifs, and rich cultural significance. Ukara is an indigo-dyed cloth used exclusively by members of the Ekpe secret society in the multi-ethnic Cross River region of southeastern Nigeria and nearby parts of Cameroon (Nzewi and Ellis, 2015). However, the design and production processes of Ukara cloth have remained largely unchanged, relying on traditional methods passed down through generations. This has resulted in a limited design repertoire, reduced productivity, and a lack of innovation in the industry. 
The advent of Coreldraw software has transformed the textile design industry worldwide, enabling designers to create complex designs, experiment with new patterns, and streamline production processes. However, the adoption of CAD technology in traditional textile design, particularly in Africa, has been slow. CAD software enables textile designers to fully utilise their creativity when designing knits and printed and woven patterns (Browzwear, 2024). Coreldraw software plays a vital role in textile Designing as well as fabric manufacturing. Possessing flexible, dynamic, and versatile techniques, the software offers the benefit of experimenting with a large number of colours, patterns, textures, and sketch backgrounds for producing an animated design (Liliana et al., 2019). 
The advancements of 3D technology and computer graphics have changed the way of garment designing (Himanshi et al., 2019). Textile designers implement CAD into their apparel design workflow, which allows them to experiment virtually and make any changes and alterations to the garment before taking it to production (Browzwear, 2024). The batik technique was used to archive the product of the CAD onto a fabric, using wax and dye. The art of decorating cloth using wax and dye has been practiced for centuries in many parts of the world, including China, Japan, India, South America, and Europe. The word batik originates from the Javanese word “tik, which means to dot. Batik techniques can also be used on paper, wood, leather, and even a ceramic surface. (Diane, 2024). 
Therefore, this study aims to capture the personal reflection, experience, and critical thinking about the intersection of digital technology and batik production.